Fuzzmeasure is a software, which calculates the reverb level in the room. Then I did empty room analysis by using Fuzzmeasure. As you can see on the screenshot, my calculations are correct. I used website to check, if I’ve done my measurements and calculations right. At these points the two waves add with the same phase and reinforce each other. Midway between each pair of nodes are locations where the amplitude is maximum. They occur at intervals of half a wavelength (λ/2).
At these points the two waves add with opposite phase and cancel each other out. A node is a point along a standing wave where the wave has minimum amplitude.
#FUZZMEASURE SET GRAPH SERIES#
In a standing wave the nodes are a series of locations at equally spaced intervals where the wave amplitude is zero. A square room is more problematic than a rectangular room, as having the walls the same distance apart can create strong standing waves. There are only couple of metres difference between them, so this room actually has square form, which is worst place for any action with the sound. We have two main measurements – length and width. Axial mode requires parallel surfaces, but empty room has triangle ceiling, that means in that room also will be tangential mode, but it’s not included in our assignment. In this assignment we working with the axial mode. At these frequencies this room will resonate. So in the empty room standing waves will occur at these frequencies. Then I made a list of frequencies, which occurs more than once: I multiplied the fundamental frequency by the particular number of each harmonics. Then I calculated the harmonics for each axis. So, the wavelengths and the fundamental frequencies for this room are (rounded down) : Speed of sound / wavelength = fundamental frequency The first standing wave that I find in a room is twice the length of the room : In this report I will describe all my findings, suggestions and personal opinion about work I’ve done.įor the analysis I chose the Empty Room and the Drum Booth. The system affordances were later studied through physical prototypes.Recently I analysed two spaces in our college by using Fuzzmeasure software. To test this hypothesis, I proposed an analytical grammar to codify spatial design, form finding process, and robotic fabrication behavior through visual computation and algorithmic approaches. Accordingly, we need a medium to embed all the constraints that affect a specific robotic system, its mounted tool, and related material system, from early stages of design to materialization.
#FUZZMEASURE SET GRAPH SOFTWARE#
It resulted in a hypothesis stating that currently available software toolboxes are not sufficient mediums between architects and robots. In this thesis, I have investigated the architectural robotics opportunities by reviewing its design space and characteristics in academia and practice. Even though numerous researchers and practitioners have proposed applications of robotics in architectural practice, this field is still in its infancy and thus needs more exploration by design and architectural researchers. While generic, combined with custom or task-specific mounted tools and digital descriptions, these machines have recently become the vehicle of creative explorations in design, architecture, and the arts. Using industrial robots in creative design has generated a wide interest among designers, artists, and architects.
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